Thursday 27 December 2018

Art Spaces Supporting Autistic Artists in NYC: Part I


As part of my Arts Council project, I set myself an investigation to visit art spaces around New York that support autistic artists. I’d largely made contact with them before coming to New York, so had a fair idea of what they were about. But then there’s nothing like seeing something with your own eyes and meeting the people that run the place – as well as the artists that attend the centres. So off I went, unsure of how they would match with their sparkling websites.

Firstly, I have to say that I was very much impressed with each of these spaces. They’ve all come from such spectacular and inspiring visions, and have a dedicated team of people who have worked very hard to get them up and running – as well as to make the connections that they have in the arts world. Which is the crucial part really, as we all know – it’s all very well having a lovely studio space, but if the work can’t be exhibited and sold on, then I guess it’s not really fulfilling its purpose in supporting these artists. The talent at each of the places I visited was very high. There was real commitment and the artists were of a high calibre, who were focused on refining their process and style of work.

A lot of these centres supported disabled artists as a whole – so those with physical and mental disabilities, of which included autism, depression, learning difficulties – and many more. Many artists had multiple and quite complex needs. Though what every person had in common was the fact that they’re an artist; it’s what they have a passion for and how they wish to spend their time. And that commitment to the arts was clear. Below is the first part of my visits, with two of the centres I visited, while the remaining two can be read in the second part of this blog, here.


Fountain House Gallery - www.fountainhousegallery.org

Fountain House Gallery provide an environment for artists living with mental illness to pursue their creative visions and to challenge the stigma that surrounds mental illness. They had their first exhibition in 2000, featuring a small group of artists and have gone from strength to strength ever since. They have studio spaces across the New York boroughs where their artists can work from, while the Fountain House Gallery itself sits in a prominent position in central Manhattan.


‘Domicile’ exhibition

What I really liked about them was the fact that they have six different exhibitions a year, of which every artist that is part of their roster, can apply and submit at least one piece of work to – within a given theme. The curator for each show is different, and will blind-pick the works that they like – dependent on their vision - and create a show accordingly.

The gallery based in central Manhattan

The centre has incredible links with professional artists, run a very successful annual auction, as well as taking part in external shows including the distinguished Outsider Art Fair. Artists are involved in educational talks and help invigilate the gallery space via short four-hour shifts. This helps them stay connected and involved with the exhibitions, as well as enabling them to speak with the public directly about their work.

‘Domicile’ exhibition


Pure Vision Arts (PVA) - www.shield.org/activities

Also based in the centre of Manhattan, Pure Vision Arts have a spacious studio area where their artists can work, and this space can be turned into a gallery for when they host private views and other events. It’s the first specialised art studio and exhibition space for artists on the autistic spectrum and intellectual/developmental disabilities. As well as the studio space, they provide art materials, exhibition opportunities, and career development for beginning, emerging and established artists. They seem to limit the number of artists to around 20, simply because of the number of workstations available, and I guess this is something that Fountain House had greater flexibility with (they have around 40 artists). They’re also part of the Shield Institute which means that they’re under an umbrella body of whom run various other art programmes and unique services for clients across New York.

I attended the private view of one of their shows in December and was really impressed! It was very well attended, and the studio also appears to have incredible links with professionals and galleries around the world.

Incredible work by one of the PVA artist's: Barry Kahn

Read on to the second part of my blog for the rest of my round-up!

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